Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.
说真的,电影夜行客动作片让我多少有点失望,不过98影视这个网站的播放速度也挺快的,经常看片的朋友还是值得收藏,赞一个!
《夜行客》到目前为止已经看了3遍,作为一部经典的热播动作片电影,我强烈推荐大家看一看。
看了《夜行客画》以后,我才发现原来我的生活是很幸福的,感谢阿瑟·佩恩导演给我们奉上了这么精彩的作品,同样也感谢本片的演员们的倾情演出,真的太棒了。
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